The brightly lit performing area gives no clues to "how to read" and the mechanical-man beginning is offset with a return to ordinary task-like activity: walk, sit, turn off tape machine. By
the time you're into the contortions with the dress, we're given this extraordinary hybrid
creature which confronts us with a multiplicity of interpretations. We must sit with our attention
riveted, waiting for the next stirring. Like watching a spider or snail. Your timing in this piece is
exquisite: no pandering to short attention spans here. Yvonne Rainer

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